A
Lifetime
I have
you first to last.
From
first, when the stream’s waters
anoint
your naked feet.
From the
smooth stones
beneath
the water’s flow
that
soothe their aches,
and by
the water,
with but
the slightest chill,
that
plays about your limbs and body
like laughing children.
like laughing children.
From that
moment of one into two,
and one
again.
And
later, by the lines,
the strong lines that bind and hold,
the strong lines that bind and hold,
and keep
us from that elsewhere place
of time
and space and motion—
from the
turning of the world
and the
spilling of salt,
from the
ragged tearing of cloth,
and tears
that wet the stone.
I WROTE THIS THE OTHER DAY. I had been thinking of
an image of a brook or stream, soft water flowing over smooth stones, shaded by
trees with a warm summer breeze blowing. Ah! An ideal setting for an idyll,
indeed! I did a doodle of a stream and thought I would write a poem with that setting
in mind. I don’t think I write brilliant poetry or anything, but if any of my
stuff touches a chord with someone, well, it may not be the full orchestra, but
it’s music to my ears at least. So here it is—raw/complete, good/bad,
meaningful/meaningless, empty/full, thoughtful/cliché… Hmmm.
Lots of binaries here—what about a third way, or a fourth? Surely there’s more
to life than just opposites, of just one way or the highway? Well, I’ll let it
sit for a bit and if I decide to edit it or to add more of my scintillating
commentary, I will use strike-outs and highlighting to show you any changes to
the text. But the doodle stays, man!
Cheers, Jake.
Cheers, Jake.
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