The Dying House
They had taken me to the dying house.
The rains fell early in the hills that year.
They had taken me to the dying house.
The journey was long, and it had cost me dear.
…and above
our carriage walled new life’s green
of terraced
maize and climbing bean that meet
ambling
dawns’ light with limber skins—a scene
like laughing
children might their parents greet.
And beneath
the sky’s warm and amber hue,
in trees soon
marked by autumn's paths and ways,
cicadas'
electric hymns bid us through,
we who must
follow on the dying days.
They were taking me to the dying house.
Lands grew dry as we left the hills behind.
We were on the road to the dying house.
Memory turned its sharp stones against my mind.
…….
“It’s ever
gold when held thus to the sun.
Twirl it so.
Spin! Not ever will it stop,
for at its
heart fairies do give it run,
who’ll fly
away if ever it should drop!”
And once
thereon a train I chanced the sky.
Among the
clouds were angels come to tea.
I know this,
for my mother told me why:
“Above the
hills, that’s best where they can see.”
……..
Our travels
grew hot in those lowland climes.
Roads soon
filled with the air of dust and trade.
Broad carts
swayed, sellers cried out hawkish rhymes;
hooves clopped,
and once when passing, some monks prayed.
One town had
a fountain, guarded by gates,
where women
sought to fill their standing jars.
Another
place—shamed men were stood their fate.
Sparks from
their pyre flew high as the stars!
Outside one
inn, we heard a saucy flute
come down our
lane, so raucous in the night.
But ‘neath
our eaves, an owl did later hoot
a song to
ease such turgid dreams of sprights.
Only shadows linger beneath its eaves.
All who come find room at the dying house.
Like earth, it molds the shapes of fallen leaves.
A city nearby
grew towers of gold.
(Of that, in
truth, I was never so sure.)
But its
houses’ fine and marbled halls told
of rich
harvests, and richer ones, to lure.
But past its
gates there came a summer storm.
Bright silver
swords flew flashing through the sky.
Clouds and
land did a frothing fury form!
And some of us in fear and shame did cry.
But like all
such storms, this one too did pass.
So we dried
our cloaks in the noon day sun,
and made our
camp by water and sweet grass
to wait ‘till
morn to carry on our run.
We ate and
drank; the fire kept us warm.
We spoke
thereon of all that we had seen,
when horns
called out a different sort of storm
comes on our
way, back from where we had been.
A group of
players came to where we stayed
and bid us
they might by our fires rest.
So for their
supper, happy they had played.
And in that
troupe, one wee lass I liked best.
She played a
role, some damsel in distress.
(But to me
she seemed more hero than dame.)
In chorus,
she sang songs of love’s address.
And mimed in
some play I cannot name.
She later
danced around our fire’s glow.
Loud fiddles
played a strange and wildling tune.
Her hair in
braids, her dress—white ankles show!
All did watch
her, as did the stars and moon.
Her cheeks
aglow, so far from wane and doom;
her arms gave
bid and welcome to us all.
And in my
heart, a gyre filled its room.
To dance with
her just once before the fall!
Soon laughter
comes, so joyous did we spin!
And hands
(hers?) did grasp my arms and cloak.
But dizzy
grew my mind. Those drums! Their din!
There are many roads to the dying house.
And each road must be traveled on alone.
Some, you’ll find, are paved to the dying house;
some lay with broken, or more patterned, stones.
………
“Oh, touch me
here. And here! Oh, my sweet dear!
Our lives of
skin, our time of song begins!”
(Yet in that
climb, blood’s rush the heart does sheer;
with summits
reached, the lightest snows come in.)
On a shore, a
sea shell once held by hands
so small
they’re cupped by hands to help them lift,
so ears may
hear the sounds from distant lands,
or mermaids
laugh beneath the coral drift.
“I take your
love, I give you mine, it seems
each day the
round expresses both the same:
To touch
seems all the more so like a dream
half hid by
clouds, in hills we’ve yet to name.”
A river’s crossing and another town
full of noise
and wavering in the air.
Wet sheets
snap like flags that are soon drawn down—
a garrison’s
surrender to its heir.
The day’s
heat slows even birds’ spastic wings.
Yet old men
still reach trembling hands to ring
light that
moves across bed sheets most mornings.
And days
become a kind of surface thing.
At night,
lights flash the ways of distant guns.
Our walls
glow like heated steel or neon.
But nothing’s
new under the many suns:
for who lives
the night, does by dawn go on.
We later
crossed lands made a muddy wrack,
with
crater-scars deep-holed by shell and bone.
Such tattered
flags that remain soon grow slack,
like hands
beside a silent, cradled phone.
Proud angels mock above our lumbering car,
yet soft
clouds glow atop a sunset rain.
We’d come at
last to cooler lands thus far,
but fewer
faces seem now in our train.
Distance,
like time, becomes a single choice
to be dipped
in once into the moving stream.
Faith so forgot since mystery plays fierce voice
must now be
waked to stage the longest dream.
For we’d come at last to the dying house,
Black birds circled high in the air ahead.
It’s never so far from the dying house.
Our horses champed to be given their head.
I do not
feel cold, though ice etched my breath
like
contrails’ white veins scribe the high blue frame.
Is this then the sum I will give to death:
frost angels
on glass that fade without name?
The walls are stone and mostly painted white.
With tall
windows that shone with morning’s sun.
“A pretty
place,” I thought, to spend the night.
“But come the
day I will resume my run.”
They had taken me to the dying house,
Children laughed and played in the lane that day.
They would leave me there at the dying house,
past tall gates and along a pebbled way.
Not by such
moments do we count our start;
nor
breathless, thinking, “this is how it ends.”
It’s by each
pant and every beat of heart,
and by our
pulse, and where our blood will wend.
For I have
saved the best as last, it seems.
And now my
mind does wander o’er its sands:
‘Round
corners, rocket’s glare, assorted dreams--
of black
soil, trellised beans and calloused hands.
And falling
angels, too, and dying gods
from heated
lands where prayer flags once linked hills.
Those
circling birds chant spells of painted bawds
whose empty
days the heart in vain did fill.
But more are
thoughts of you and you and you,
and all that
kindered in that summer’s sun.
Those times
before the time became the new,
so new now we have circled round our run.
They have taken me to the dying house.
The journey was long and it cost me, dear.
But I lay beside you at the dying house.
We close one door and take the one come near.
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