AT THE SAME TIME I WAS READING Elizabeth Kolbert’s Sixth
Extinction, I was also reading a collection of non-fiction by the late science
fiction writer James Tiptree Jr.* In one letter, written in 1972, Tiptree (the pseudonym
under which American writer Alice Sheldon published her work) describes part of
the Yucatan where she was staying:
I am writing this in the moonlight on a coconut
plantation on the “wild” shore of Yucatan. The jungle was homesteaded in 1936
and worked by a few Maya families. Miles of nothing but white coral beach, the
Caribbean making slow music on the reef, shadows of palm-fronds wreathing over
the sand. The moon is brighter than my lantern. A pelican crosses the moon, looking
like a wooded bird from some mad giant’s cuckoo-clock. Paradise…
Alberta Tar Sands (or Mordor?) |
…to love our Earth is to hurt forever. Earth was
very beautiful with her sweet airs and clear waters, her intimacies and grandeurs
and divine freakinesses and the mobile art works that were her creatures. She was
just right for us. She made us Human. And we are killing her.
Alice Sheldon (James Tiptree Jr.) |
Her
letter conveys the urgency she feels for all of us to change how we live. And Sheldon
was not optimistic. She ends with the image of humans surviving in a hardscrabble,
ruined world, “gasping our own poisons and scrabbling for algae soup as the
conveyor belt creaks by.”
Both women
write of ecological disasters and climatic emergencies. Kolbert’s book is a
journalistic exploration of threatened landscapes, biodiversity decline and
climate disruption. She reminds us that, in the past four hundred and fifty
million years, there have been five times where massive die-offs in complex
life occurred due to, at different times, volcanic activity, glaciation, a rapid
rise in CO2 levels and comet impact. The last is what everybody thinks about
when they hear the word “extinction”, with the death of the dinosaurs, but
the other events had equal or even greater impacts on the amount and viability of
the Earth’s flora and fauna.
Chillingly, Kolbert states that our age, dubbed the “Anthropocene”,
is unique in how rapid CO2 levels are
rising and how markedly biodiversity is declining; it is a gravely dubious
distinction, of course. And it is unprecedented because most prior extinctions occurred over thousands of years; ours seems to be happening over the course of centuries, even decades, making adaptation to the changes difficult or impossible for many species, including our own. And by "extinction" it is meant the dying off of whole families of species, both plant and animal, as well as the degradation of lands, seas and the air. She says, “By disrupting these
systems—cutting down tropical rain forests, altering the composition of the
atmosphere, acidifying the ocean—we’re putting our own survival in danger.”
Elizabeth Kolbert |
And Kolbert, like Sheldon, is not optimistic. “If you want to think about why humans are so dangerous
to other species, you can picture a poacher in Africa carrying an AK-47 or a logger
in the Amazon griping an ax, or better still, you can picture yourself, holding
a book on you lap.” She ends by noting it is the earth that abides in the end, “long
after everything people have written and painted and built has been ground into
dust and giant rats have—or have not—inherited the earth.” Thus, our legacy, what we bequeath to future generations, will be determined by our actions in the coming critical decades.
Both writers
present sobering portraits of the great, existential dilemma facing modern civilization, and I
recommend Elizabeth Kolbert’s Sixth
Extinction (but not for a relaxing bedtime read!)
Cheers.
* Jeffry
Smith, Ed. Meet Me At Infinity, The
Uncollected Tiptree: Fiction and Nonfiction. Tor Books, 2000.
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