BIRD BOX BY JOSH MALERMAN WAS A SURPRISE READ FOR ME. It’s a really scary story! Something is driving humanity insane
(besides us); some malevolent force or entity once glimpsed by a person which
causes them to go insane. What or who it is remains unclear. The story’s
protagonist, a pregnant Malorie, finds refuge in a suburban Detroit home with
several others as they seek to come to terms with the end of the “old world”
and the beginning of the new. The tale is told in a third-person narration
primarily through the thoughts, memories and experiences of Malorie as she
attempts to keep her children and those close to her safe in a world grown
deadly beyond measure. Confined for years in a house with boarded-up windows
and locked doors and only able to venture outside (to the well for water, for
supplies) blindfolded, Malorie must
make a choice whether to remain or to chance a hazardous journey to a distant
refuge.
It’s an odd, even silly premise, having to negotiate
the outside world blindfolded, suggesting there will be a rather slow pace to
things, but author Josh Malmerman’s tight plotting, crisp writing style and
sharply drawn examinations of people, their psychologies, fears, failings and
strengths, makes for a definite page turner.
I am reminded of the 1963 horror movie The Haunting and the scene where Julie
Harris’s character is wakened by her roommate who has come to her bedside and
is holding her hand. Both are fearful of something evil within the house they
are visiting. Both are too frightened to speak. We hear Julie Harris’s panicked
thoughts as she works up the courage to scream for help, and then there is the
slow and growing realization that the hand she is holding may not be that of
her roommate (the room is in darkness). The tension builds to a climactic
moment as we discover the truth. It’s a nail-biting scene, and Bird Box provides a number of such
scenes as Malorie’s time in Riverbridge Road house is told through a series of
flashbacks. Malmerman’s use of short, declarative sentences, internal
monologues, flashbacks and foreshadowing, add to a roller-coaster ride of
tension and discovery.
I think truly well-crafted horror stories don’t
reveal everything (unlike movie-maker
M. Night Shyamalan who ‘splains way
too much!), and I think this adds to the tension and claustrophobic atmosphere.
And as with all good horror stories that deal with monsters, real or imagined,
there is the suggestion that we have the potential to be the most dangerous
monster of them all. Listen to the bird
box!
I found the growing tensions between individuals living at
Riverbridge Road more disturbing than even the threats
they faced from outside their walls. The walls within the home that grew
between people were more terrifying to me than anything else. Malmerman
explores the darker side of human nature and how we can lose our humanity and become alien to each other. That is frightening. The potrayal of some of Malorie's housemates as they descend into despair and sociopathy makes for rising levels of tension and paranoia that resolves
in a climax that comes through in a deftly constructed plot.
Josh Malerman |
Well done! (I note Malmerman is shortly publishing
(fall, 2019) a sequel, and I am looking forward to not being disappointed with
it. (Don’t explain it all, Josh! Let
us figure the rest out!)
Cheers
Cheers
"Yeaah. You didn't scare me! Nahhh." |
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