IN THE OPENING OF HER REMARKABLE BOOK, Always Coming Home, science fiction and fantasy writer Ursula K. Le Guin (October 21, 1929 – January 22, 2018) suggests that writing about the future is like writing about the past: "The fact that it hasn't yet been written, the mere absence of a text to translate, doesn't make all that much difference. What was and what may be lie, like children whose faces we cannot see, in the arms of silence. All we ever have is here, now." The formal narrative parts of the novel are the “Stone Telling” chapters, which are a woman's first-person account as she recalls her life in the Valley, set in a California hundreds, perhaps thousands, of years in the future. We learn there have been environmental disasters, where great sections of the east coast have subsided into the sea. As well, there are areas of radioactivity and lands contaminated with chemicals that continue to cause birth defects in animals and humans. The world Le Guin envisions has altered drastically, with decimated populations, declining birthrates and civil strife. In the Valley, however, there is stability and social order. The Kesh have established a society that functions within ecological limits. It is a place of small towns and farms, strong communal and familial connections, and a deep spirituality that has its source in traditional First Nations’ practices and beliefs.
Stone Telling tells us how she grew up in the House
of “Blue Clay”, in “High Porch”, part of the lodge kinship system, that is an important
element weaving the Kesh into a tight-knit society. We see her restless spirit
grow with the need to explore beyond Sinshan, the town where she was born, and to leave the Valley, and travel with her father, who is of the distant “Dayao” people
and a member of its “Condor” warrior caste. Le Guin provides details of the
rituals and belief systems of the agrarian Kesh and she contrasts them with the
militarist, expansionist society of the Dayao. The former culture is
sustainable, living within the cycles of the natural world, with a strong animist
ethos that underpins and informs every aspect of their daily lives. In contrast,
the Dayao are restless and ever-questing, and come from a pastoral heritage.
They are a nomadic, herding people who have recently established cities and hierarchical
forms of government, and they believe in expanding their domains through war
and conquest. They also believe in one all-powerful God, "The Great Condor" who rules over the world, and has them as His chosen people. How the Dayao and Kesh fare in this future world of Le Guin’s is
fascinating, complex and informative.
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Ursula K. Le Guin |
It should be noted that the Kesh have (some)
technology. For example, they have a train connecting the towns within the Valley; they have
medicine, an educations system and town planning; they have guns, too. But their
technology is tempered by their abiding spiritual connection to the land and
the creatures living there.
In contrast, the Dayao amass armies and build
weapons, including planes that can be used to bomb their enemies. They mean to conquer their enemies and expand their territory at any cost. They stretch
the available resources of their society to the point of exhausting their natural
and social capital, and by the book’s end teeter on extinction as they involve themselves
in senseless and unwinnable wars.
We have much to learn from the Kesh (and the Dayao), if only we will listen.
Le Guin has some Kesh poems that I’d like to include here:
Le Guin has some Kesh poems that I’d like to include here:
The Inland Sea
Spoken as a teaching in the Serpentine heyimas*
of Sinshan
by Mica
All there
under the water are cities, the old cities.
All the
bottom of the sea there is roads and houses,
streets and houses
Under the
mud in the dark of the sea there
books are, bones are.
All those
old souls are under the sea there,
under the water, in the mud,
in the old cities in the dark.
There are
too many souls there.
Look out
if you go by the edge of the sea,
if you go on a boat on the Inland Sea
over the old cities.
You can see
the souls of the dead like cold fire in the water.
They will
take any body, the luminifera, the jellyfish, the
sandfleas, those old souls.
Any body
they can get.
They swim
through their widows, they drift down their roads,
in the mud in the dark of the sea.
They rise
through the water to sunlight, hungry for birth.
Look out
for the sea-foam, young woman,
look out for the sandfleas!
You might
find an old soul in you womb,
an old soul, a new person.
There
aren’t enough people for all the old souls,
hopping like sandfleas.
Their
lives were the sea-waves, their souls are the sea-foam
foam-lines on bown sand,
there and not there.
*a building used for ceremonial purposes
*a building used for ceremonial purposes
From a selection called “Bone Poems”
The bones
of your heart,
there’s
mystery.
Clothes
wearing the body,
there’s a
good clown.
A Grass Song
A Red Adobe song for the Grass Dance in Wakwaha
(The
meter is “fives”)
Very
quietly
this is
happening,
this is
becoming,
the hills
are changing
under the
rainclouds,
inside
the grey fogs,
the sun
going south
and the
wind colder,
blowing
quietly
from the
west and south.
Manyness
of rain
falling
quietly:
manyness
of grass
rising
into air.
The hills
become green.
This is
happening
very quietly.
Initiation Song from the Finders Lodge
Please
bring strange things.
Please
come bringing new things.
Let very
old thins come into your hands.
Let what
you do not know come into your eyes.
Let
desert sand harden your feet.
Let the
arch of your feet be the mountains.
Let the
paths of you fingertips be your maps
and the
way you go be the lines on your palms.
Let there
be deep snow in your inbreathing
and you
outbreath be the shining of ice.
May your
mouth contain the shapes of strange words.
May you
smell food cooking you have not eaten.
May the
spring of a foreign river be you navel.
May you
soul be at home where there are no houses.
Walk
carefully, well loved one,
walk
mindfully, well loved one,
walk
fearlessly well loved one.
Return
with us, return to us,
be always
coming home.
.................
“Come on
you sons of bitches! Do you want to live forever?"
(Gunnery
Sergeant Dan Daly, USMC, Belleau Wood, 6 June 1918, to his men before the battle.)
Sorry, I couldn’t resist putting that quote in. Well, that just about says it all, don’t it?
Or not. In War,
a book that I happened to be reading at the same time as Always Coming Home, author
Gwynne Dyer provides another view of the human animal as seen through the lens
of what is arguably one of the world’s oldest profession. He looks at the origins
of war, of violence, and how our natural inclination toward peace can be manipulated until we are able to perform the most horrendous acts
of violence and mayhem, and even to accept them as right and necessary.
I found most interesting his speculation on war/violence
as something that occurs as humans developed cities and societies. When hunter-gatherer
groups gradually took on more settled, agrarian practices, there arose conflicts
between farmers and herders, and a land-use problem (we can’t have those goats of
yours nibbling away on our wheat!) Herders gradually migrated to the periphery of
farming settlements, and developed pastoral lifestyles. As settled farming
communities developed surpluses, they became tempting targets for herder
cultures (who, as nomads, had less stuff). So, a clash of cultures began, walls went up,
and defensive and eventually offensive strategies developed in villages and
towns following the end of the last ice age. I find it fascinating to think that
there may have been a time when humans solved problems and settled disputes
without resorting to organized violence and mayhem. There is certainly evidence to suggest that
armies, fixed battles, and so on were things that developed over millennia, and were not
intrinsically part of the human way of doing things; war and killing are not necessarily
part of our makeup. They were skills we had to learn and work at, and hone
over time.
Dyer quotes primatologist Frans de Waal in his study of chimpanzees and baboons: “The good news for humans is that it looks like peaceful conditions, once established, can be maintained. And if baboons can do it, why not us?” (Frans de Waal, Yerkes Primate Center, Emory University).
Dyer quotes primatologist Frans de Waal in his study of chimpanzees and baboons: “The good news for humans is that it looks like peaceful conditions, once established, can be maintained. And if baboons can do it, why not us?” (Frans de Waal, Yerkes Primate Center, Emory University).
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Gwynne Dyer |
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Trench warfare WWI |
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Alberta's Tar Sands |
So, two book reviews, about two books with two takes on our future. There is still room for optimism. And a bit of a chat over a cup of coffee, I should think.
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